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Proceeds from the bottled water edition will benefit organizations that are directly addressing with the water crisis, including the United Way of Genesee County and Hydrate Detroit. Long Beach, Ca.-based artist Alex Gardner is presenting his first New York solo exhibition.
JACOB LAWRENCE, “The Card Game,” 1953 (tempera on board). His 14 new acrylic paintings “indicate in gesture and pose a wordless ‘romantic comedy.'” From his depiction of hair to skin tone, Gardner’s dramatically entangled bodies are intended to conjure universal connections—”cultural signifiers are smoothed over to de-individuate and universalize.” Senga Nengudi’s work considers “the social and physical limits of the human body by alluding to gender and race through abstract sculptures and improvisational performances.” Her first solo museum survey, features sculpture, video, and performance dating from the 1970s, including her RSVP series which employs stretched, pulled, and contorted pantyhose in reference to the female form.
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30 at the Ogden Museum of Southern Art in New Orleans.
A selection of new exhibitions follows: JULIE MEHRETU, “HOWL, eon (I, II),” 2017 | Commissioned by the San Francisco Museum of Modern Art, Collection SFMOMA, gift of Helen and Charles Schwab © Julie Mehretu.
Packer is presenting her first institutional solo show at the Renaissance Society (above).
Wangechi Mutu, Trenton Doyle Hancock, and Mickalene Thomas have shows in Texas.
She responded with a pair of layered abstract paintings that she describes at political landscapes.
“You have an idea, you work like crazy, mostly in the dark, but you can’t really get a feeling for the piece until you go through about 15 stages of sanding and polishing.