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Firstly seven flatterers: the Genius of Honours, of Pleasures, Riches, Gaming (pack of cards in hand), Taste, Fashion (dressed as Harlequin) and False Knowledge.These are followed by seven bringers of evil: envy, remorse, avarice, poverty, scorn, ignorance and inconstancy.Out of it boils a cloud which carries up a man and a dragon; between them they support a scroll reading "sero nimirum sapere caepit".Its message, 'finding out too late', is reminiscent of the proverb recorded by Erasmus, Malo accepto stultus sapit.
In later centuries the emphasis in art has generally been on the person of Pandora.
The corrupted children are rejected by Prometheus but Hope arrives at the end to bring a reconciliation.
It is evident from these plays that, in France at least, blame had shifted from Pandora to the trickster god who contrives and enjoys mankind's subversion.
The 1721 play by Alain René Lesage appeared as part of the longer La Fausse Foire.
It was a one-act prose drama of 24 scenes in the commedia dell'arte style.
In the first half of the 18th-century, three French plays were produced with the title "Pandora's Box" (La Boîte – or Boëte – de Pandore).